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For example, the templates that match <tv:Character> and <tv:Actor> elements within <tv:Description> elements are as follows: <xsl:template match="Description//Character"> <span class="character"><xsl:apply-templates /></span> </xsl:template> <xsl:template match="Description//Actor"> <span class="actor"><xsl:apply-templates /></span> </xsl:template> Rather than having separate templates for each of these elements, we can have one template that matches all elements in the tv:_Inline substitution group, as follows: <xsl:template match="schema-element(tv:_Inline)"> <span class="{lower-case(local-name())}"><xsl:apply-templates /></span> </xsl:template> The only element that shouldn t be treated in this way is the <tv:Link> element, which needs to be turned into a link The original template, which matches <tv:Link> elements appearing within <tv:Description> elements, can be retained: <xsl:template match="tv:Description//tv:Link"> <xsl:variable name="content" as="item()+"> <xsl:apply-templates /> </xsl:variable> <xsl:call-template name="link"> <xsl:with-param name="href" as="xs:anyURI" select="@href" /> <xsl:with-param name="content" select="$content" /> </xsl:call-template> </xsl:template> This template has a higher priority (05) than the template that matches all elements in the tv:_Inline substitution group, which has a priority of 025 TVGuide6xsl includes description5.

For free movement, click the object, hold down the button, and drag the cursor a little way to release the object from its current position (see Figure 6-11). (This takes a little practice to get right without making Blender s pop-up menu appear. A thin line is drawn on the object as you perform this action, but it s only temporary and doesn t appear on the 3D model.) Alternatively, press the keyboard shortcut G to grab the object. You can then position it up and down, or left and right in front of the camera but notice that its size doesn t change with perspective. To use this method to move an object further away from or nearer to the camera, switch to Top view first.

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It also seemed kind of clunky, with an 80s look to it, despite the fact the year was 2005 I wasn t all that excited by my new toy, and I was not yet that busy with my new job, so I left the big blue Berry on my desk for two days On the third day after arriving at this new job, I noticed it again Thinking the phone would be long dead, I went to charge it, but noticed then that the battery meter had barely moved I remember thinking: Wow, what a long battery life! Maybe there is something to this BlackBerry thing..

xsl, in which these changes are made Transforming TVGuide3xml with TVGuide6xsl, with validation of TVGuide3xml, results in TVGuide6html, which looks exactly the same as before However, we re now reliant on validation of TVGuide3xml to get the look we re after Look at the EastEnders cast list in TVGuide6html, shown in Figure 13-3 This is the look that we re after, with the names of characters in the descripdescriptions of either..

Now try transforming TVGuide3.xml with TVGuide6.xsl without validation, to give TVGuide6-2.html. As shown in Figure 13-4, the details of the EastEnders episode are no longer styled correctly. The <tv:Character> elements within the program description aren t recognized as being part of the tv:_Inline substitution group, so the names of characters no longer appear in a larger font; and the <tv:Character> and <tv:Actor> element children of <tv:CastMember> are no longer annotated with the type tv:Person, so we get the full description as well. In the new XSLT application, description5.xsl is a lot shorter, and you probably won t have to change it if you want to add new inline elements to descriptions later on. But we re increasingly reliant on validation of the TV guide against the schema that we reference within the stylesheet to get the look we re after.

Figure 6-11. Free movement is possible without the 3D Transform Manipulator tool, albeit in two dimensions only. You can also use this tool for free rotation by making a circular motion with the mouse as you hold down the left button and drag. The keyboard shortcut for rotation is R, as you may have guessed. A dotted line rotation handle appears; drag it toward the object to make large rotations quickly, or extend the handle away from the object to make more subtle adjustments (see Figure 6-12). The center of the rotation is shown by a pink blob on the end of the dotted handle.

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