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A sequence, in editing terms, is an ordered collection of clips, transitions, effects, and soundtrack in a particular timeline You can have numerous sequences in your project, and when you re ready to output, you can join them together, on a timeline, or you can output each individually In this section, we re going to cover the basics of creating a sequence in Premiere Pro Let s begin by starting a new project, and then cover the basic elements of turning that project into a sequence

The Oracle DBMS applies the analytical function to the window rows. Some analytical function expressions don t need any ordering, but they are the exceptions. For example, as soon as you use keywords like PRECEDING and FOLLOWING, you need to specify a certain row ordering within your window, to give those keywords their meaning. If you make a mistake and forget to specify an ORDER [SIBLINGS] BY window component, the Oracle error message is self-explanatory. SIBLINGS is valid only in hierarchical queries, as explained in the previous section. If you want predictable query results, you should choose the correct window ordering. More specifically, if you sort on a column (or column combination) that isn t unique within your window, concepts like previous row and following row become rather slippery. Let s look at the example in Listing 9-20. Listing 9-20. Nondeterministic Window Sorting SQL> 2 3 4 5 6 7 select mgr, ename, msal , sum(msal) over ( order by mgr, msal range unbounded preceding ) as cumulative from employees order by mgr, msal;

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TNFTransforming growth factor-

When you first open Premiere Pro, you get to choose either an existing or a new project If you re about to start a new project, as we are here, the choice should be obvious Select New Project, and you re taken to the New Project window with the Load Preset tab displayed Since we re working with online video, you can select a 16 9 aspect ratio By default, it is a standard 4:3 ratio, as shown in Figure 9-2

MGR -------7566 7566 7698 7698 7698 7698 7698 7782 7788 7839 7839 7839 7902

ENAME MSAL CUMULATIVE -------- -------- ---------SCOTT 3000 6000 FORD 3000 6000 JONES 800 6800 WARD 1250 9300 MARTIN 1250 9300 TURNER 1500 10800 ALLEN 1600 12400 MILLER 1300 13700 ADAMS 1100 14800 CLARK 2450 17250 BLAKE 2850 20100 JONES 2975 23075 SMITH 800 23875 KING 5000 28875

Granulocyte colonystimulating factor (G-CSF)

FIGURE 9-2

14 rows selected. SQL> As you can see in Listing 9-20, the fourth column shows a cumulative monthly salary, because we define a window per employee from the beginning of the table (UNBOUNDED PRECEDING) until the current row. The current row is (in this case) the default upper boundary of the window, so you don t need to specify this explicitly. As you can also see in Listing 9-20, the cumulative salary doesn t behave properly. Look at the four highlighted rows (<<<). This is not a bug; there is something wrong with the query. The window sorting specification (MGR, MSAL) is not precise enough. Employees SCOTT and FORD happen to have the same manager and the same monthly salary, and the same is true for WARD and MARTIN. You can solve this problem by changing the ORDER BY clause in line 3, to make it deterministic, as shown in Listing 9-21. Listing 9-21. Deterministic Window Sorting SQL> 2 3 4 5 6 7 select mgr, ename, msal , sum(msal) over ( order by mgr, msal, EMPNO range unbounded preceding ) as cumulative from employees order by mgr, msal; ENAME MSAL CUMULATIVE -------- -------- ---------SCOTT 3000 3000 FORD 3000 6000 JONES 800 6800 WARD 1250 8050

MGR -------7566 7566 7698 7698

The Load Preset tab offers myriad choices that affect the shape and output of your videos The presets on this tab cover most types of video you ll find yourself working with There are two main ways to get existing clips into a project The first is to choose File | Import (ctrl-i), navigate to your media files, and then import the clips into the project The other, more intuitive way is to simply double-click in the Project panel The same navigation dialog box opens, letting you locate your files Any setting you make, either customized or preset, as well as any workspace configuration, can be saved as your own custom preset The sidebar Create and Save a Custom Workspace, later in the chapter, explains the basics If your footage is still on DV tape on a camera, you can do a direct capture as well Both audio and video files live together in the Project panel (see Figure 9-3)

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