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Figure 6-29. A drum tension rod can be modeled using a cylinder with cap ends. To create the lug for the tension rod to fit into, make a cube by choosing Add Mesh Cube. It s large by default, so resize the cube by pressing S (for scale) and dragging the dashed handle toward the center of the object. Right-click the new cube if it isn t already selected, and then switch to Edit mode with the Tab key. You can now manipulate the vertices of the cube until it becomes the shape you want (see Figure 6-30). Real drum lugs are roughly equal size in the X and Y dimensions but taller in the Z dimension. They vary in shape but are usually thinner at one end than the other. Again, refer to a picture on the Internet if you aren t sure what shape to go for.

Summary An XSLT processor will process the contents of an <xsl:fallback> element within an instruction if the processor doesn t understand the instruction.

In this chapter, we will walk you through Step 5 of overcoming your BlackBerry addiction: analyizing the user quiz we will take in this chapter and admitting to our specific BlackBerry abuses.

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The template that is invoked is as follows: <xsl:template match="CastList"> <div id="{../Series}Cast" style="display: none;"> <ul class="castlist"><xsl:apply-templates /></ul> </div> </xsl:template> See how the value of the id attribute is being set using the value of the <Series> element that s a child of the <CastList> element s parent The <CastList> that we re processing here doesn t have a parent, so there s no way of working out what series the cast list relates to. The HTML that s generated (in TVGuide4.html) looks like this: <div id="Cast" style="display: none;"> <ul class="castlist">...</ul> </div> On the other hand, if you use <xsl:sequence> to add the <CastList> element to the sequence, as in TVGuide5.xsl: <xsl:variable name="castList" as="element() "> <xsl:sequence select="CastList" /> </xsl:variable> then the $castList variable holds the original <CastList> element, from which it s possible to navigate to the <Series> element. The resulting HTML, in TVGuide5.html, looks like this: <div id="EastEndersCast" style="display: none;"> <ul class="castlist">...</ul> </div> Usually, it s the behavior of <xsl:sequence> that you want: having the original nodes in the sequence means that you can move around the original node tree to get hold of information. In addition, creating new nodes is one of the more time-consuming of the operations that you can perform in XSLT, so avoiding creating new nodes is a good idea if you can help it.

Until you gain experience with Edit mode, you may prefer to manipulate the shape of the lug (see Figure 6-31) in a different part of the Blender workspace than your drum model, so you don t select and move, scale, or rotate the wrong vertices by mistake.

Summary If you select nodes using <xsl:sequence>, then the nodes are added to the result sequence.

If you select nodes using <xsl:copy-of>, they get copied and the new copies are added to the result sequence.

If we include <xsl:copy-of>, we ve now seen four ways to add new nodes to a sequence:

Figure 6-31. Model the drum lug by selecting and moving or scaling control points to create an irregular shape. Next, move the lug into position on the end of the tension rod you probably have to scale or rotate it until it looks right. Keep checking the front and side views (using the View menu, on the lower toolbar) to make sure the position is correct in all three dimensions. Then, select the lug and the tension rod by holding down the Shift key and right-clicking both objects. On the Object menu from the lower toolbar, choose Object Join Objects, and click OK to confirm in the dialog box that pops up. The pink selection outline of the two objects changes to the perimeter of the new compound object (see Figure 6-32). If you use the 3D Transform Manipulator or free movement tools on these joined objects, they move together as one even if you select only one of the original objects with a right click.

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