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Although only Internet Explorer uses the filters described here, Netscape 6 does have the capability to control opacity. The MozOpacity property of the style command may be set programmatically to a percentage value as in this code: document.myImage.style.MozOpacity = 50% ; You can also declare the MozOpacity property as part of a CSS style. The following code example shows a CSS style that changes the opacity to 77% to whatever it s applied for both Internet Explorer 4 (and above) and Netscape 6. .myOpacity { filter: alpha(opacity=77); -moz-opacity: 77% }

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Embedded fonts have these limitations:

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LinearGradient. Defines a change in colors in a linear using calculation from one coordinate to another. By default the gradient is calculated from left to right, but it can be adjusted by changing the gradient class s direction property; for example, to change the gradient to go from top to bottom, change the LinearGradient object s direction to 90. RadialGradient. Defines a change in colors starting from the certain point in an object (by default its center) and radiating outward to its borders. You can set the focalPoint Ratio and rotation properties to change the point from which the gradient radiates.

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The left side shows the paths before being combined; the right side shows how the inner paths become holes in a compound path, showing through to the placed image behind them.

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Modern word processors typically support inline graphics, letting you import a graphic into your word processor document and embed it in text. Word, for example, lets you import graphics, and InDesign, in turn, can import the graphics with your text. However, graphics embedded in your word-processor document through the long-defunct Mac OS 8 and 9 s Publish and Subscribe or OLE in Windows do not import into InDesign. These technologies are rarely used today, so you ll encounter this issue only with old text files. Inline graphics import as their preview images, not as the original files. This means that in most cases, you get a much lower resolution version in your InDesign layout. Despite their limitations, using inline graphics in your word processor can be helpful when you re putting together an InDesign document: Use the inline graphics whose previews are imported into InDesign as placeholders so that the layout artist knows you have embedded graphics. The artist can then replace the previews with the better quality originals.

Although the greatest common divisor of integers a and b is unique, this is not the case for the greatest common divisor of polynomials a(z) and b(z). Example 13.6 If p 3, a(z) 2(z 3 z 2 z l), and b(z) 2z 2 z 2, then a(z) (z2 1)d(z), and a(z) 2(z2 1)d(z), b(z) 2(z 1)d(z), d(z) (z 1): b(z) (z 1)d(z), d(z) 2(z 1),

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The Control panel buttons that provide options available in the Text Frame Options dialog box Align Top Balance Columns Number of Columns Align Bottom

You can also use tables to combine text and graphics in nonstandard layouts. For example, note the header in Figure 9-22. The header graphic is actually several pieces, as shown in Figure 9-23. A table with no padding and no spacing is used to put the pieces back together into a complete image, while enabling text to ow to the right of the face portion.

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