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7 was devoted to storyboarding Now that you re on the set, use your storyboard to help organize the shoot Remember, even the simplest of video projects should have a storyboard It doesn t need to be an elaborate schema, as long as it gets your ideas down in a somewhat clear and organized fashion You may want to refer to 7 one more time to make sure you have all of your ideas down on paper (or on QuickTime) before you show up on set with your riding crop Review your storyboard before shooting Review it during the lighting setup Review it as you are about to shoot If you have a cameraperson other than yourself, or a director of photography, you will want to share each storyboard panel with those individuals before shooting And then take one more look at the storyboard for yourself New ideas come at you when you least expect it When you think you finally have everything you want ready in your head, take another pause You may find that even though you ve planned all of your shots in your head, and then on the storyboard, the reality of the location suggests that there is a better choice Embrace change The point of the storyboard is to provide a foundation for your ideas, not a set of chains for them

BOX 17-1

GREATEST(expr[,...]) LEAST(expr[,...]) LEVEL LNNVL(cond) NULLIF(expr1,expr2) NVL(expr1,expr2) NVL2(expr1,expr2,expr3) ORA_HASH(expr[,nb[,s]]) SYS_CONNECT_BY_PATH(...) SYS_CONTEXT('ns','sp')

Return expr with the largest value Return expr with the smallest value Level in the tree (for hierarchical queries only) Return TRUE if cond returns FALSE or UNKNOWN; otherwise FALSE Return NULL if expr1 = expr2; otherwise expr1 Return expr2 if expr1 is NULL; otherwise expr1 Return expr2 if expr1 is not NULL; otherwise expr3 Hash value for expr, using nb buckets and seed value s Path to the root value (for hierarchical queries only) Value of system parameter sp of the ns (namespace) context (a common namespace is USERENV with 42 predefined parameters; see Oracle SQL Reference for details) Number of the current database user Name of the current database user Number of bytes occupied by expr

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It s not enough to just point and shoot You have to actually make some decisions about composition, and framing too And while you are framing the shots, keep your eyes open for what we like to call happy accidents Things never go exactly as planned But mistakes aren t always bad things But it all begins with how you set your shots up, and when you say, Action! Time your shots so that you have enough footage to edit, and make sure that you get the action where you want it in the shot

Type 3 sensitive skin is common worldwide In a British study, 57% of women and 314% of men reported that they had experienced an adverse reaction to a personal skin care product at some stage

UID USER VSIZE(expr)

All the setup and preparation points to the actual shoot The most important thing to keep in mind while shooting is to keep it simple Let the video action, not the camera, tell the story Especially important for online video, where the screen is minute, the action is minimal, and the clarity is just out of your control, is simplicity of shots Use the rule of thirds Segment your frame into vertices that break the frame into thirds horizontally and thirds vertically In a two-shot, space the characters so that they are situated at the cross points of those vertices, as shown in Figure 8-1 This balances the shot and gives the video a simple yet compelling composition Center movement in the frame When your subject is moving across a frame, or across the set, keep it in frame The easiest target for that is the one that is centered in the frame When the subject comes to rest, you can invoke the thirds

You can use any combination of the elements listed in Table A-20 as the fmt argument for the TO_CHAR and TO_DATE functions. Table A-21 lists optional date format modifiers. Table A-20. TO_CHAR and TO_DATE Format Elements

The super cial skin layer includes sensory nerve bers connected to specialized receptors such as Merkel cells Three types of bers are generally recognized in the sensory subclass of bers: Beta bers, which are the largest bers and myelinated, mediate the touch, vibration, and pressure sensations (conduction velocity of 2 30 m s 1) Delta bers, smaller and myelinated, mediate the cold and pain sensations (conduction velocity of 30 m s 1) C bers, the slowest, smaller and nonmyelinated, mediate the warm and itching sensations (conduction velocity of 2 m s 1) C bers mediate most of the autonomic peripheral functions

Century; S displays BC dates with a minus sign Year; S as in SCC Last three, two, or one digits of the year Last two digits of the year (with interpretation for 20th century) ISO year; last three, two, or one digits of the ISO year Year, spelled out; S as in SCC BC/AD indicator (B.C. and A.D. also allowed) Quarter number (1, 2, 3, 4) Month number (01 12) Month name; padded with spaces to length 9 Month name; three-character abbreviation Month in Roman numerals (ISO) week number (01 53)

FIGURE 8-1

W DDD, DD, D DAY DY DS, DL J TS AM, PM HH[12], HH24 MI SS,SSSSS FF[n] TZD,TZH,TZM,TZR -/.,;: "text"

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